Bayeux loan a model of exchange partnerships, say British Museum leaders

This article was first published by Museums + Heritage.

The British Museum’s director and a trustee have pointed to the loan structure behind the Bayeux Tapestry as inspiration for the museum to share its collection more widely.

​British Museum trustee Dame Tracey Emin has said the museum should share its artefacts with the world, inspired by France’s loan of the Bayeux Tapestry.

“If [the tapestry] comes here, it means things from here can go to other places.” Emin told ITV News outside the museum, ahead of its sold-out exhibition opening last night. 

“It’s the beginning. That’s what I’m hoping, anyway. As a trustee, it’s time we started sharing the artefacts and amazing things we have in the world.”

Asked by ITV News if she was referring specifically to the ‘Elgin Marbles’ or Parthenon Sculptures, she said: “I’m referring to everything.”

Emin said around half of the artefacts in the museum were found in Britain, while 30% were gifts from abroad. Emin said the remaining 20% were “controversial”. 

“I think it’s something that needs to be resolved, and it will be in time,” Emin said.

It is unclear if Emin was calling for increased international loans or the more controversial issue of repatriation, for which the Parthenon Sculptures’ return to Greece have long been a prominent example.