The sustainability star: a model for museums

This article was written by Prof. Martin Müller and Julie Grieshaber, Professor of Geography and Sustainability, University of Lausanne (Switzerland), Lead of the research project ‘Culture for the Planet’ (https://wp.unil.ch/culturefortheplanet/); Researcher on the project ‘Culture for the Planet’ (https://wp.unil.ch/culturefortheplanet/), University of Lausanne (Switzerland). It was first published on the ICOM website.

For more and more museums today, the question is no longer whether or why but how to become sustainable. Many museums start with the 17 United Nations Sustainable Development Goals (SDGs) (e.g. McGhie 2019), but these are broad, not specifically made for museums and tackle different aspects of development ( health, education, economic growth…), sometimes at the expense of the planet (Liverman 2018). Other museums, calculate their carbon footprint, set emission reduction plans and ‘net zero’ objectives, but do not consider other aspects of sustainable development. A third group of museums focuses on hands-on actions: putting up recycling bins, installing LED lighting, launching ‘cycling to work’ initiatives and reminding people to think before they print, for example. Yet they often end up feeling that their actions are piecemeal and do not follow an overall strategy.

Developing a sustainability model

For us, the lack of a coherent understanding of sustainability in the museal field made clear the need for developing a research-based sustainability model for museums. By model, we mean a condensed, simplified representation of sustainability that could guide action for museums. Creating such a model became one of the main goals of our ongoing research project, Culture for the Planet at the University of Lausanne, Switzerland. Because museums are not the only cultural institutions struggling to make headway in sustainability, we also involved drama and opera theatres in this project.

We wanted our sustainability model to reflect the key aspects of sustainability for museums and other cultural institutions. To achieve this, we adopted a three-step methodology.