Inside Aliph, the organisation racing to save the world’s heritage

This article was first published by the Art Newspaper.

Since launching nearly eight years ago, the International Alliance for the Protection of Heritage in Conflict Areas—better known as Aliph, the first letter of the Arabic alphabet—has become a key player in the cultural heritage sector; “the new big kid on the block,” as one specialist put it. Faced with a landscape in which threats to cultural heritage have become more acute—a combination of lasting conflict, climate change, and terrorist activity—the Geneva-based intergovernmental organisation has now supported 470 museums, ancient and archaeological sites, and intangible heritage sites around the world.

“We have been able to grow very fast,” says Valéry Freland, a French diplomat who became the executive director of the organisation in 2018. “And agility has become one of our key assets.”

Rather than implementing projects itself, Aliph is a funding organisation, responding to proposals on a regular grant-making cycle and acting as the first port of call in emergencies. It is this latter role that has become the organisation’s real strength, despite its relatively small size.