How Venice is saving artworks from rising waters

This article was first published by James Imam.

Scalpels, lenses, cameras and endoscopes are being used by art experts in a radical new conservation approach in Venice.

It was the lavish residence of the Doges, Venice’s mighty rulers, at the height of the maritime city state’s powers as a wealthy imperial force in world trade.

Today, the Doge’s Palace in St Mark’s Square is a celebrated museum drawing 1.5m visitors a year. Hordes gather to catch a glimpse of the building’s pinkish Gothic facade and famous Bridge of Sighs. Inside, they can marvel at masterpieces by Tintoretto, Titian and Tiepolo hung in parlours embellished with gold.

But their views are often blighted by emergency repairs: those tourists might have to settle for seeing the 700-year-old palace covered in scaffolding or paintings might be missing – sent away to restorers, with pallid reproductions on cardboard in their place.

Now there are hopes all that could change. In a pioneering approach called “preventive conservation”, restorers are inspecting every inch of surface inside the building and logging their findings in a database so further emergencies can be averted.

The information will be used to plan minor interventions, big conservation projects and allow for continuous monitoring, marking what the project’s organisers have called “the new frontier of conservation”.