Arts Patronage In Modern America

Arts Patronage in Modern America

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26/06/2019 - 28/06/2019
Time: All Day

Rothermere American Institute

Welcome to the website for the Arts Patronage in Modern America conference being held at the Rothermere American Institute, University of Oxford from 26-28 June 2019.

The original CFP provides an overview of the conference’s focus:

The founding of the National Endowment for the Arts in 1965 was a celebrated occasion for many artists and cultural patrons in the United States, but it failed to put to rest the decades old public debate over whether or not art and culture ought to be supported by the federal government. From the Reagan era in particular onwards, straight through to the Trump administration, Culture Wars debates have centred on whether the federal government should fund art, if so, how much, and if not, who should? From the New Deal federal arts projects of the 1930s to the cultural Cold War and beyond, the story of the growth of American arts patronage has often been told through the lens of the federal government, with philanthropies, corporations, state and local governments playing supporting roles to leading federal agencies such as the Central Intelligence Agency, the United States Information Agency, and the State Department, amongst others.

Although the American state’s role and influence in cultural affairs expanded in the twentieth century, the degree to which the state actually drove these transformations both at home and abroad remains to be examined. What role did American corporations or philanthropies play in shaping emerging forms of cultural patronage? Did state or local programmes and policymakers push changes at the national or international level? And what impact did artistic participants have on developing or curtailing the institutionalisation of American art and culture? Answering such questions will offer an insight into cultural relations between private and state actors, which promises, in turn, to inform not only understandings of the institutional forms of modern American culture, but also to illuminate how individual and private actors have shaped the American state. This conference therefore calls upon scholars, policy-practitioners and artists working on and in modern American arts patronage, broadly defined, to submit proposals for papers that explore and critique the existing narrative.

Topics may include, but are not limited to:

  • philanthropy and government cultural cooperation or conflict
  • cultural funding, policy or exchange either at home or abroad
  • the creation, implementation, and impact of cultural policymaking at the state or local levels
  • how artists or academics experienced cultural policy or patronage
  • cultural policy and protest or lack thereof
  • philanthropy or philanthropic funding in the cultural sphere
  • federal cultural programmes and agencies
  • national or transnational public-private arts partnerships and programmes

For the full programme please visit our Programme page.

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